I realize anyone visiting my blog probably thinks I’m stuck in middle school. They’d sort of be right. The funny thing about middle school is that while it served up some of the worst years of my life…it has become a time that has yielded a host of stories and memories that have inevitably shaped who I am today (scary!).
So remember that music decision that most middle schoolers make (see my post below)? Yeah, I was in orchestra. I started playing violin for two reasons:
1)The Little Mermaid soundtrack : the jig song played on Eric’s boat featured a violin…yes, because of The Little Mermaid I wanted to play the violin.
2)My grandma Bernice is an extremely accomplished violinist…and since I lived with her she agreed to teach me.
Every Spring a number of music festivals occur where students play prepared pieces for judges. One festival, Solo and Ensemble, as I recall was a requirement for the students in orchestra at my school. The music director insisted that we be involved in at least one piece, whether it be a solo or ensemble piece.
That year, I was involved in a couple of entries at Solo and Ensemble; one was a solo piece and the other was a trio piece with two other violinists. Solo and Ensemble arrived and this was my first time performing in this kind of performing situation (being judged) – so it was no doubt a little nerve racking! I had my solo first thing that morning, and from what I can remember it went very well.
It was time for the trio – I was almost done with my first festival experience! The three of us girls walked into our assigned room with our violin cases ready to set up for our trio piece. The process of getting ready to play the violin can be a time-intensive one…especially when you are mostly dealing with beginners (7th graders!). First you take the violin out, get your neck rest situated correctly, get your bow out and tightened correctly…and of course the incessant rosining of the bow (kind of like someone who chalks their pool stick before each strike of a ball - unnecessary), and then tuning. Oh, and tuning at that level of play…that was a good 10 minutes right there; so this wasn’t some simple production for us 12 years olds.
Finally, the violins are out, situated, adjusted, rosined, and relatively in tune. The adjudicator for our piece walks in with his note pad and a copy of the master piece so that he can follow along. As I reach into the side of my violin case I feel what I believe to be my sheet music…only to realize it was merely the program for the festival that I had shoved in the side of my case earlier that day.
Unbeknownst to my fellow ensemble members and Mr. Adjucator, I begin to frantically look for my music…that is nowhere to be found. By this time my fellow trio members have walked up to their respective music stands and prepare to begin. In a moment of panic, I grab the program from my case and march up to my stand – which was situated in between the two – pretending as though I have my music.
I was the designated leader of the trio and as such had the responsibility to “lead off” and begin the piece. Standing there staring at my music stand that merely held one event program, I could see the top of the adjudicator’s head and realized right there and then as I lifted my violin scroll (for the upbeat), that once that scroll came down we’d all be playing this piece….and well, I’d be playing something. It began and yes, I played something. To this day, I have NO IDEA what I played…but for 2 – 3 minutes I played some variation of notes alongside my peers.
It is standard practice for the adjudicator to provide feedback on your performance – it’s part of the learning experience. I’m sure he knew something was awry – he had the master sheet music. But, for a good five or so minutes he acted as though we had done a wonderful job of “phrasing” and really melding our sounds together. I thought I was off the hook – that I had somehow made my way through unscathed - until I heard, “girls, I’d like to hear a certain portion of the piece again…why don’t you all start at measure 10 and play for about 5 bars.” Oh no. The panic was back and to be honest the only thing I remember next was Mr. Adjudicator getting up to come around to our stands only to see on my stand the single piece of paper that read, “1994 Solo and Ensemble Festival, Shadle Park High School.”
If I ran into that judge today, I’d have this to say:
Dear Mr. Adjudicator,
Were you not impressed? Or did you know the whole time? Yeah, I think you knew the whole time. You had the master sheet music the whole time – you knew. I can’t help but think this must have been one of the more amusing pieces of the day for you.
You know, I don’t even remember what my peers said or how they reacted, but I know they were thrilled that we even pulled out a 2+ score (I know, not that great of a score) - guess they didn’t have very high expectations. So, thanks for humoring us and protecting our fragile 7th grade egos.
While I don’t think I was caught empty-handed without sheet music ever again, this incident definitely marked the beginning of a lifetime of improvisation that, well, sometimes seems as confused and unharmonious as the piece you heard that day. I guess I should be thankful for the trusty “adujactors” in my life who seem to mirror what you did that day: call my bluff. Not everything sounds that great improvised...
Hope you’re no longer subjected to judging 7th grade violinists,
Valerie
ps – Who am I fooling - Not you! So, please, call me val



Well, the Payette’s version of Camelot involves: hourly brawls, peeing, pooing, chewing, biting, barking and well – nothing of the “happily-ever-aftering” mentioned in Richard Harris' ballad. Poor Lance has wondered from day one why we brought in a furry monster whose sole desire in life is to “hunt” and torture him.